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Studio equipment

The studio has the equipment that allows to make recordings that do not differ in quality from world productions.

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  • Analog: currently the studio has withdrawn from analog recording due to the negligible interest of customers in this form of session recording. In the future, a return to analog recording is being considered

  • Digit: Interface: RME FireFace UFX

  • Transducer: Creamware A16 Ultra (16 in, 16 out)

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Mixer:

  • AMEK HENDRIX 40-channel "in line" mixer - purchased from Studio im. Lutosławski belonging to the Polish Radio.

  • The mixer is a top-class device for recording and mixing music material.

  • We use Behringer PM16 mixers to mix the listening paths. It is possible to connect up to 5 independent listening tracks fully controlled by musicians.

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Microphones:

  • Avantone CV-12 (tube condenser microphone)

  • Beyerdynamic M160

  • Electro Voice RE-27 N / A

  • AKG D12 - the iconic "vintage" microphone

  • AKG D25 - the iconic "vintage" microphone

  • Sennheiser MD441

  • Sennheiser MD421 (x2)

  • Sennheiser MD421 MKII

  • Beyerdynamic SoundStar X1 HLM (x 2)

  • Bash Audio RM-BIV1 - ribbon microphones (x2)

  • Two handmade ribbon mics from the 1970s

  • Beyerdynamic M64

  • Sontronics Halo

  • Sontronics Corona

  • Shure 545SD Unidyne (x2)

  • Shure SM57 (x 4)

  • Shure Beta52

  • Shure Beta56A (x 5)

  • RODE NT2-A (x 2)

  • Rode NT-5 (x2)

  • Oktava ML53 (ribbon microphone)

  • Prodipe (stereo ribbon microphone)

  • Copperphone (https://placidaudio.com)

  • Mymex 81DT

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Outboard

  • EMPIRICAL LABS DISTRESSOR EL8-X (matched pair)

  • UREI 1176 LN *

  • RADIOMAN COMPRESSOR / LIMITER (a replica of the ADR F600 compressor that was equipped with the Helios console used, among others, by Andy Johns, producer of Led Zeppelin)

  • UNIVERSAL AUDIO LA610mkII

  • Channel Strip TL AUDIO VP-1

  • RME Octamic - 8 Class A mic preamps

  • Fully tube EAG preamplifier (equivalent to Siemens V72) year: 1960 - 2 pcs.

  • PULTEC EQP-1A Program Equalizer (classic tube equalizer) * - 2 pcs.

  • ARSENAL AUDIO by API R24 Stereo Equalizer - design based on the classic API 562EQ equalizer from the 70s

  • Behringer Vintager T1952 - EQ (modified for VR)

  • ROLAND SPACE ECHO RE-201 (tape delay, spring reverb).

  • Palmer - 4-channel active DI-Box / 19 "line isolator

  • ART DPDB DI-Box Passive stereo (x3)

  • * - Pultec and Urea devices are professionally made replicas according to original schematics and specifications

 

Monitoring

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  • Yamaha NS-10 M

  • ATC SCM45a Pro

  • EvE Audio SC207 + SUB EvE Audio TS 107

  • amplifiers for NS-10M: Audiomatus Audiophile Tech .

 

Instruments:

  • percussion equipment (additional fee PLN 200 per session):

  • Ludwig Chrome Over Wood (1970s) in sizes: 24 ″, 13 ″, 14 ″, 18 ″

  • Ludwig Classic Maple (1970s) in sizes: 22 ″, 13 ″, 16 ″

  • snare drum: Premier Modern Classic 14 × 5.5 ″

  • snare drum: Ludwig Supraphonic 14 × 5.5 ″ (1970s)

  • guitar amplifiers (additional fee PLN 100 per session):

  • Fender Bassman Ten (4 × 10 combo, full lamp, 1977)

  • Newport (a Japanese copy of the 1960s Fender Vibrolux amplifier.

  • Newport - 2 x 12 ″ column (Alnico speakers)

  • Head Diamond Sound (a copy of the Marshall Plexi amplifier made by P. Laboga around 1972)

  • keyboards (additional fee PLN 200 per session):

  • bass column: Green by Matamp 4 × 10 - 800W

  • Traynor YBA200-2 200-watt all tube bass head

  • Rhodes Piano Seventy Three (Electric Piano) - PLN 200 per session

  • Arturia (midi driver with MOOG sound bank)

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